It is always best to assert your right to remain silent and not answer any questions.
"Behind everything there is always a house," Haddon asserts – which may be straining a point.
There is always a problem, you assert with the arrogance of a film critic, with stage adaptations.
In fact, there is always slippage and leakage, the subconscious asserting its obscure power.
In defending Shakespearian tragicomedy against detractors, he asserts that "there is always an appeal open from criticism to nature".
So a primer: some contemporary feminist theory's primary orthodoxy asserts that gender is always, everywhere, entirely "socially constructed" – that is, only real in the mind or in social attitudes.
"In Treatment," unlike other shows about therapists, like "Huff" and "Frasier," takes the therapeutic transaction — where, as Weston asserts, "the customer is always wrong" — seriously and makes for mesmerizing watching.
The strong version of the thesis along this dimension instead asserts that it is always normatively or rationally defensible to retain any hypothesis in the light of any evidence whatsoever, but this latter, stronger version of the claim, Laudan suggests, is one for which no convincing evidence or argument has ever been offered.
In that spirit, one could assert that it is always wrong to make the sorts of tradeoffs made in plea-bargaining, or indeed in deciding to devote resources to anything other than punishing the guilty if those resources might help ensure that the guilty are punished.
When it comes to hermeneutic phenomenology, Ricoeur [ 8] asserts that it is always possible to argue either for or against an interpretation, and the credibility of an interpretation lies closer to the logic of probability than to the logic of empirical verification.
