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What is a "score" anyway?
Underpinning all this is a score of concise originality.
This is a score that gleams rather than glows.
There is a score of other correspondents I could mention.
Lutton directs White as if the text is a score.
The opera is a score in search of a story.
That is not just wrong, it is a score from Mars.
In music there is a score you can hold in your hands.
Charpentier's contribution is a score that is vital and rich, with some magnificently wrenching moments.
But what resulted from this striving for intimacy is a score that lacks variety.
ITVX's Q-Ratio is a score based on criteria like foreground or background shots, verbal mentions and hands-on images.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com