Sentence examples for introductory movement from inspiring English sources

The hushed, austere finale, "Isorhythmiclationistic," was followed by "Klap Ur Handz," the buoyant introductory movement, which was augmented by the percussionist Yousif Sheronick's improvised accompaniment.

For Mahler, like Linnaeus, the natural world was a constant source of inspiration; the composer described the slow introductory movement as nature awakening after a winter's sleep.

By the mid-18th century the use of additional movements (galanteries), such as gavottes, bourrées, and minuets, and even of an air (a lyrical movement not deriving from a dance), was common, as was a variously entitled introductory movement; e.g., prelude, overture, fantasia, sinfonia.

In the same year Johann Rosenmüller, a German composer working in Venice, published a set of Sonate da camera cioè Sinfonie... (Chamber Sonatas, that is, Symphonies...), each consisting of four to six dance movements with an introductory movement (sinfonia) not in dance style.

At the start of each session, a series of introductory movements designed to warm-up the extremities, large joints and spine (itkata vinyasa and utkata danda nadi vinyasa) will be conducted before moving into a salute to the moon (candra namaskar).

Each session began with an introductory series of movements designed to warm-up the large joints, spine, and extremities (utkata vinaysa and baddha hasta meru danda vinyasa).

But right now, the 150 ticket-holders were back in the twilight zone, applauding an introductory duet of abstract movement by two dancers, a sentimental couple we would see throughout the evening.

He overcame this hurdle when, as he was being rowed across a lake, the rhythm and sound of the oars in the water inspired the mysterious introductory theme of the opening movement.

A lovely introductory solo and a third-movement cadenza give the cello its brightest spotlight, but the work also offers consistently engaging interplay between the cello line and the gently chromatic orchestral score.

In fact, they both call themselves "movements," right up front in their introductory remarks, like they're writing their own history.

The show signals its nonverbal intentions with an introductory dance, and intermittent intervals of mere movement persist throughout; the silences in the production are striking.