"introduction to the program" is a correct and usable phrase in written English.
For example, you could introduce a new program with the sentence, "We are excited to launch our new program, which we have aptly named 'Program Name.' This introduction will provide a brief overview of our program and how it can benefit you."
In his scripted introduction to the program, Mr. Isaac argues that Williams settled on the more tragic ending because he "wanted to be Sophocles, not Chekhov".
"Personalities, events, works of art and styles all play on and off each other," Professor Reinhold notes in an introduction to the program.
During his long spoken introduction to the program, Mr. Schickele showed that he had lost none of his gift for deadpan comic delivery and for taking the audience down meandering verbal setups for excruciatingly bad puns.
"This requires us, to borrow the title of another workshop in the program, to 'rethink safety and security in business and in government,' " as the introduction to the program noted.
The intensity of Mr. Swann's excitement over the music came through in his spoken introduction to the program, in which he proved an animated font of perceptive insights into the role of the piano in Beethoven's work and the composer's achievement in the sonata genre.
For novice providers in the clinic, introduction to the program and recognition of the navigator as another member of the team should become a common practice.
You look at the introduction to the Griffin program – that it's all about stories – which has to be the most banal rhetoric I've ever heard.
"America's theaters are still scared of us, don't know we exist, or don't care that we exist," the introduction to the festival program reads, part of a statement that amounts to a manifesto.
In the introduction to the first program, Robert Cafaro, a Philadelphia Orchestra cellist, clearly speaks for many players when he says: "I had no idea it would be quite this good.
Mr. Petronio gets things off to a good start tonight in his introduction to the first program, which includes his recent "Strange Attractors" and two duets choreographed by Jacqulyn Buglisi and performed by Donlin Foreman and Terese Capucilli, members of Buglisi/Foreman Dance.
Another example of branding is the introduction to the PeaceBuilders program (Embry et al. 1996).
