Sentence examples for introduction to the orchestra from inspiring English sources
"I think Ives would have liked that," said the Composers Orchestra's executive director, Michael Geller, in his introduction to the Orchestra Underground series concert downstairs.
At this annual celebration she invites a host of musical guests to provide an interactive introduction to the orchestra, including those who play French horn, flute, sousaphone, violin, trumpet and more.
PLAYMUSIC: www.playmusic.org -- A colorful, fun-filled introduction to the components of the orchestra created by the American Symphony Orchestra League for children.
In a brief platform introduction to the Bournemouth Symphony Orchestra's performance of Henri Dutilleux's cello concerto Tout un Monde Lointain in which he was the soloist, Jean-Guihen Queyras described Dutilleux as "the most charming and civilised man I ever met".
After dispatching the deceptively flowing slow introduction to the fourth movement, the orchestra tore into this crazed finale, which ended with a full-throttled race to a blazing coda.
Mizrahi is a wry narrator; the music, played by Ensemble Signal, is a delight, and a marvellous introduction to the instruments of the orchestra; and John Heginbotham's clever choreography for the show fits in well with the witty yet sincere tone.
There are more passages of ferocious tightening, more sequences where the orchestra seems to be at war with itself, even another oboe bird (in the introduction to the finale).
The show which doubles as an introduction to the instruments of the orchestra is narrated by the avuncular Isaac Mizrahi and illustrated with witty choreography by John Heginbotham.
This was my introduction to the meritocracy.
The bloom in the orchestra's sound during the Act II duet for Carlo and Elisabetta, the opera's star-crossed lovers, was exquisite, as was its pulsing warmth in the introduction to the prison scene in Act IV.
The Orchestra of St . Lukes played with an energy that underlay even the lyrical passages; Mr. Crutchfield deftly balanced courtliness and anxiety in the tarantella introduction to the Act II finale.
