Shōyō was also one of the founders of the shingeki ("new drama") movement, which introduced the plays of Henrik Ibsen and George Bernard Shaw to Japan and provided an outlet for modern plays by Japanese authors.
Apart from the work of such French writers as Becque and Eugène Brieux, Théâtre-Libre also introduced the plays of Ibsen, Strindberg, Hauptmann, and the Norwegian Bjørnstjerne Martinius Bjørnson.
November 3, 1744 Schwerin, Germany September 3, 1816 Rellingen, Germany Friedrich Ludwig Schröder, (born November 3, 1744, Schwerin, Mecklenburg [now in Germany] died September 3, 1816, Rellingen) German actor, theatrical manager, and playwright who introduced the plays of William Shakespeare to the German stage.
Alexandra Ripp will introduce the plays and critical considerations of these questions, before entering in dialogue with Calderón himself about his own perspectives and experiences.
When Monsanto introduced the playing fields of America to AstroTurf in 1965, there were myriad cases of "carpet burn" and torn knee ligaments from shoes catching in the unyielding artificial fiber and broken bones from the cement underneath.
The Freie Bühne introduced the iconoclastic plays of Henrik Ibsen and Leo Tolstoy to Germany and staged the first performances of plays by the major German dramatist Gerhart Hauptmann.
The personable and passionate Voxare players — Emily Ondracek and Galina Zhdanova, violinists; Erik Peterson, violist; and Adrian Daurov, cellist — took turns introducing the works played on Friday, some of which certainly had Minimalist hallmarks: rhythmic ostinatos, repetition and slow harmonic development.
In 1904 he became manager of the Court Theatre with J.E. Vedrenne and introduced the public to the plays of Henrik Ibsen, Maurice Maeterlinck, John Galsworthy, John Masefield, and Gilbert Murray's translations from Greek.
Mark Richardson: we do suggest in the vision that higher education has a huge potential role to play in introducing the concept of social enterprise to young people in all subject areas – and so catalyse an explosion of social entrepreneurs across a wide range of disciplines.
But the occurrence of this comment in the context of Baumgarten's discussion of aesthetic truth (or of how truths can be presented in ways agreeable to the senses) makes clear that with this reference to "harmony" between the lower and upper faculties of cognition he is not quite introducing the idea of a free play between them.
