The book's first location, Dead Water Lake, is as bleak as its name suggests, introducing a narrative shot through with icicles of human malignity.
With "Oklahoma," produced by Cameron Mackintosh, Ms. Stroman had the opportunity not only to revisit a show that made musical theater history by introducing a narrative format to Broadway and running for five years, but also to put her own stamp on a classic strongly identified with its choreographer, Agnes de Mille.
When rows of handwriting occur, they introduce a narrative element even though they are added with impersonal, ready-made stamps as a device to further the visual intrigue.
"But the moment you introduce a narrative or music, or the presence of the filmmaker, you limit the possibility for people to truly digest it," Mr. Sauret said.
The portrait of "Pope Paul III and His Grandsons Ottavio and Cardinal Alessandro Farnese" (1546; Museo e Gallerie Nazionali di Capodimonte, Naples) is a free variation on Raphael's "Leo X," but Titian altered the composition and introduced a narrative dimension more dramatic and compelling than that in any of his earlier portraits.
Kanchenjungha (1962) introduced a narrative structure that resembles later hyperlink cinema.
By selecting and arranging objects, I can then introduce a narrative into my paintings.
We should introduce a narrative-based exam which covers every age in British history across a broad chronological span.
Subsequently, two American shows that were first broadcast in 1987 were influential in introducing a similar narrative fluidity to fiction that was generally located in contemporary reality.
But when she is rescued by an adoring alchemist, the relationship becomes clear: her section of the narrative introduces a story about the art of making cymbals, whose percussive rhythms informed that quintessentially American sound called swing.
Some have attempted to respond to the worry about bad or false narratives by introducing a reality constraint to narrative views, one that's buttressed by appeal to third-person storytelling (Lindemann 2001; Schechtman 2014, Ch. 3).
