Sentence examples for introduce rhythm from inspiring English sources

Exact(1)

In the 1970s he settled in Paris, where, with the help of Sarah Petronio, one of the pioneering women of tap, he helped introduce rhythm tap.

Similar(59)

Dramatic events also led men to impose or introduce rhythms that were not previously there.

"Blues pioneers such as King, men born in the shadow of slavery, introduced rhythms and melodies that remain the beating heat of modern music.

With her uninhibited, note-bending vocal wail, she also helped introduce the rhythm-and-blues-influenced style known as "blue-eyed soul," so named because it was popularized by white singers imitating black role models.

Gracenote offers its own API that provides audio fingerprinting and discovery tech, and recently introduced its Rhythm API to power exactly the kind of Internet radio services described above.

"He left Gregorian chants to create the first four-part music, using four voices, and his music introduced measured rhythms.

His take on the track introduces tumbling rhythms and anthemic synth horns, maintaining the scope and size of the original but adding a whole new flair to the affair.

By their own description, "Algoraves embrace the alien sounds of raves from the past, and introduce alien, futuristic rhythms and beats made through strange, algorithm-aided processes".

Others, in an ongoing effort to close the cultural gap, tried to introduce Westerners to the rhythms of Ramadan.

When the traps drummer, Royal Hartigan, enters to back the guitar solo, he introduces a march rhythm right out of a New Orleans second line, and when both percussionists back the violinist the rhythm takes on a Carnatic intensity that inclines the listener to an upper-body response more a swaying of the shoulders than a tapping of the feet.

When the traps drummer, Royal Hartigan, enters to back the guitar solo, he introduces a march rhythm right out of a New Orleans second line, and when both percussionists back the violinist the rhythm takes on a Carnatic intensity that inclines the listener to an upper-body response — more a swaying of the shoulders than a tapping of the feet.

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