Sentence examples for into chord from inspiring English sources

iPhone This is an intriguing app from Casio, which scans the music files stored on your iOS device then tries to turn them into chord charts, to help you play them on your own instrument.

Ms. Jamison, the successor to the modern dance pioneer Alvin Ailey, looks for, as she put it, "showers of color, which change into chord structures, which change into sensitivity and hopefully movement," which she finds in the music of her frequent collaborator, Wynton Marsalis.

Current amplitudes were converted into chord conductances, assuming a reversal potential of 0 mV (with no correction for junction potential).

Progenitor cells aggregate and elongate into chord like formations subsequently producing vascular islands composed of endothelial cells [ 22].

Perturbed syntactic relationships such as insertions of unexpected chords into chord progressions elicit robust responses in VLPFC, particularly in the frontal opercular region at the junction with the anterior insula (Tillmann et al. 2003; Koelsch 2005).

A sense of doom certainly seemed more pervasive than serenity in the ominous bubbling, swirling sounds of water, sometimes electronically manipulated into chords and melodies.

Later, when Ms. Lancaster's notes coalesced into melodies and the supporting tones into chords, the music more closely resembled the blissful electronica heard on the syndicated radio show "Hearts of Space".

As the notes tumbled out of his tenor sax with enough force to fill the crowded hall with sound, he doubled the intensity by "overblowing" on the instrument's reed to produce multiphonic effects, where individual notes split into chords through the accretion of squawking harmonics.

And up to three guitarists took turns soloing, quickly blasting off in circumscribed spaces: Jim Campilongo with his taut, metallic Telecaster sound; Tony Scherr, sweeping into chords with a metal slide; and Mr. Kidney, who in the Numbers Band's "Back to Disaster" played a solo almost too good to believe, in open tuning, with masterly control of echo and feedback.

These recordings were multi-tracked into chords, and used in the opening of "Shine On".

The movement continues with a stretto and concludes with a section featuring augmentation and a thickening of lines into chords.