Sentence examples for into a creature of from inspiring English sources

In this modern Gothic horror, Frank Cauldhame is the teenager warped by his own history and isolation into a creature of casual malevolence.

She became more beautiful by the minute as she spoke, painstakingly applying rouge and white powder to her face, lengthening her lashes, and painting dramatic swooping black lines around her eyes, transforming herself into a creature of ancient Chinese fantasy.

Elizabeth Taylor, young, beautiful, bare-shouldered and photographed through the kaleidoscope-covered lens while eating from a fork, is multiplied and reversed into a creature of exquisite Pre-Raphaelite viperishness, a ravishing, ravaging Medusa.

Toni Nadal also helped to mold his nephew into a creature of rigorous habit, evidenced by his inflexible prematch routines: the freezing-cold shower 45 minutes before play begins, the wrapping of his hands and calves, the adjustment of his ubiquitous bandanna, the sudden burst of exercising, the precise sips from twin water bottles.

There she falls under the (literally) hypnotic spell of a masterful lady science teacher, who aspires to put an end to the manufacture of atomic bombs by molding her pupil into a creature of such unmitigated evil that the world will "wake up" and "outlaw war".

In 1922, however, she is as much a prisoner of provincialism as Emma Bovary was, and she has turned into a creature of baroque pretensions and bullying condescension, able to convince her actors that their bumbling stagecraft is indeed high art.

In a sense, it is Samuel who is the invader, the vessel of agonised memories and warped needs, and the two have jointly projected this ordeal into the Babadook: a creature of their own making.

Bauer tried to mold Ellqvist into his vision of a creature of the woods and as the perfect artist's wife; he wanted her to make a home for them in a romantic cottage in the woods, while he wandered about the forest seeking inspiration.

This image was accompanied by a tagline of the show's good versus evil theme: "Into each generation is born a creature of light and a creature of darkness".

But the hippie got a raw deal, all that utopian drive and fury subsumed into a cartoon of unchecked approval, a creature of easily won and essentially personal endorsements.

One of the marvels of Ulrich Mühe's performance — in its seething stillness, its quality not just of self-denial but of self-haunting — is that he never distills Wiesler into a creature purely of his times.