Sentence examples similar to intervention critique from inspiring English sources

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Working in painting, sculpture, video, architectural intervention, institutional critique, and performance, Zobernig explores the relationship between ideas and their artistic representation.

Drawing upon her work as Principal Investigator and director of the Chicago Center for Youth Violence Prevention, one of six national Academic Centers of Excellence funded by the Centers for Disease Control and Prevention, Gorman-Smith described a growing list of preventive interventions and critique their effectiveness in reducing youth violence.

Traditional painters and sculptors see avant-gardeist posturing and doctrinaire moralizing in high concept arts involving social intervention or institutional critique.

She practices between genres of Social Practice, Institutional Critique, Intervention and New Media.

Highly site specific, it may also be one of the last words in appropriation art, institutional critique and artistic intervention, not to mention postmodern photography and, especially, wallpaper.

In response, we identify logical, methodological, and analytical inconsistencies in their critique of early intervention research and offer a balanced assessment of IHDP findings to date.

Highly site-specific, it may also be one of the last words in appropriation art, institutional critique and artistic intervention, not to mention post-modern photographs and, especially, wallpaper.

In one of his last works, Idea de la Universidad (1981), he renewed his life-long commitment to the university as the site of scholarship and reflection, and reiterated his critique of military intervention.

There was a constant critique about Federal Open Marketing Committee interventions, quantitative easing and the zero interest rate policy.

Especially in these days of post-post-everything, relational aesthetics, institutional critique and endless "interventions," art shows can be so cerebral and self-conscious, so full of high-concept attitude, that the art is lost in the shuffle.

Both perspectives implicitly contain a critique of external interventions by predominant actors and powerful stakeholders as well as a repudiation of capitalist and communist concepts of modernization.

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