Sentence examples for interpretive concept from inspiring English sources

With their eyes on Mr. Boulez, though, the singers seemed so attentive to his interpretive concept that they sacrificed spontaneity.

He contends that an adequate account of these features of legal practice can only be gained when we understand that law is an interpretive concept, i.e. that it is a social practice wherein a certain interpretive attitude has taken hold.

The correct application of an interpretive concept is determined not by a shared test of applicability, but by the theory that gives the best interpretation of the practice in which the concept is used.

The arrival on the jurisprudential scene in the mid-1980s of Ronald Dworkin's powerful new account of law as an interpretive concept, with concomitant implications for the activities of both judges and legal theorists (see Dworkin 1986) also did much to contribute to interest in the role of interpretation in legal reasoning.

It concludes that in any unclear case of the application of an interpretive concept, the question of whether the concept applies or not is to be answered by arguments concerning the view that best fits and justifies the object of interpretation.

Dworkin's idea that the concept of law is an interpretive concept is part of the underpinnings of his theory of law: he claims that legal philosophy needs to make a fresh start to face the challenge of explaining disagreement about the law, and he presents his theory as the best way of meeting that challenge.

To overgeneralize, productions by Messrs. Wieler and Morabito frequently take liberties and are invariably provocative yet avoid wrongheaded interpretive concepts.

Themes: Interpretive concepts or propositions that describe or explain aspects of the data, which are the final output of the analysis of the whole dataset.

To illustrate the interpretive concepts, reference will be made to figures that will be discussed again later in the context of their specific results.

Too, the conflation of "art" and "opera" has contributed to opera's image as exclusionary: "Art" in this context has come to mean, all too often, "highfalutin". Abstract sets and interpretive directors' concepts, often the most creative part of the enterprise of putting on a work that opera fans have seen dozens of times already, help distance the form from its inherent popular appeal.

Johnson [ 15] highlights the complexities inherent when defining and operationalising cross-cultural equivalence, with interpretive differences of concepts and constructs nested in lexical, semantic and idiomatic variation.