Sentence examples for interpreting second from inspiring English sources

The unique methodological variance of our approach was to take a collaborative approach to interpreting second order constructs, in order to challenge our individual interpretations.

A white porcelain vase interpreting fifth-century B.C. bronze models left some Western dealers skeptical about its supposed 18th-century period despite the Qianlong emperor's seal mark.

As Sider (2006: §3) points out, the "set-like structure" of pluralities is crucial to the theoretical role of the plural quantifiers in standing in for sets (e.g., in the definition of the ancestral relation), interpreting second-order logic, and comparing the cardinalities of pluralities too big to form sets. 25.

I have also written about the case before, arguing that in the new environment created when the U.S joined international copyright treaties, interpreting first sale in light of outdated rules about where something is manufactured does not make sense.

Recently, complementary information from four wave mixing (4WM) has been shown to resolve ambiguities in interpreting third harmonic generation (THG) images [ 4].

No need to wait for a paralyzed and gridlocked Federal government where the few tell the many that their archaically interpreted Second amendment rights are more important than their lives.

In recent studies by Kissick et al., an analytical expression was derived for the uncertainty in the Poisson mean obtained by binomial counting and used to interpret second harmonic generation (SHG) measurements generated from a pulsed laser.

We introduce a notion of attribute interpretations that enables us to interpret first-order relational signatures into named system states, and develop a formal semantic framework based on 3-valued logic.

How should we interpret eighteenth-century antiquarians' learned credulity?

The audience seemed to enjoy this too, but many might prefer to encounter a work of theater without having it interpreted first.

Includes inquiry into back-formations such as "baroque" and "global" to describe and/or interpret sixteenth- and seventeenth-century cultural productions.