Sentence examples for interpretation style from inspiring English sources

Most importantly, a subsequent testing stage during which participants had to interpret a new set of ambiguous vignettes, revealed that their interpretation style was indeed changed.

In an age of interpretation, style eludes criticism.

The film uses nonlinear narrative and the many-worlds interpretation style.

First, among the widespread neuronal network of AVH-related activations, the signals from the bilateral IFG correlated strongly with the SRH, independently of the subjective interpretation style, loudness of AVHs and the dose of antipsychotic medication.

Write notes about the interpretation, style and technical features of each piece, and anything significant about the piece that is unusual or that makes it stand out above other pieces by the same composer.

Surface similarity to the famous painter's works is clear, although Bennet's photographs also add his own unique interpretation and style to the images, influenced by the trend of androgyny in fashion photography and the changing perception of women in society.

It was a show that celebrated Cavalli's interpretation of style, which can be summed up simply as "unrelenting excess".

In a flashback to a recording session for the Beethoven piece, tensions involving interpretation and style rise to the boiling point.

The first examines the contexts, motivations, and implications of Greek relations with the Near East in the Iron Age, with a particular interest in the role of the non-elite and in developing new models for the contextual interpretation of style.

One may, indeed, believe that Tiberius was prompted to assume imperial power because he was anxious about the military situation on the Roman frontier; but Tacitus had no doubts about the security of the Roman position, and he considered the hesitation that Tiberius displayed on taking power to be hypocritical; hence, the historical irony, in interpretation and style, of his first six books.

"The technical aspects of Mr. Starker's playing are so wholly merged in the solution to problems of interpretation and style that the listener tends to forget how much technical mastery the cellist has achieved," Raymond Ericson wrote in The New York Times in 1962, reviewing a recital at the Metropolitan Museum of Art.