Sentence examples for interpretation of the opera from inspiring English sources

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Writer also tells about Sellars' interpretation of the opera.

Then the Ministry of Culture stepped in and organized what they described as public hearings, in which prominent clergy members, cultural figures, and ministry officials condemned Kuliabin's interpretation of the opera.

EM Forster, pondering Goldsworthy Lowes Dickinson's interpretation of the opera as an account of the world after 1918, wasn't sure that the trials by fire and water undergone by Tamino and Pamina could stand for the travails of 'the twentieth-century spirit'.

"It's making it possible to box above our weight because working with partners allows us to do large productions, and more new productions".A co-production is essentially a joint venture, where two, three, sometimes four opera companies share the investment and jointly own the sets, costume designs and overall interpretation of the opera.

" 'Vix in the City' may seem a bit controversial in our sometimes-cautious world, but it's really just a lighthearted, contemporary interpretation of the opera's themes," Eric Latzky, the orchestra's vice president for communications, wrote in an e-mail regarding the backlash.

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Already by 1969 alternative interpretations of the opera were in vogue, and many of them irritated Britten.

She also, among other things, toured the world singing Kurt Weill interpretations, recorded her own version of the opera The Seven Deadly Sins, starred on stage in Bob Wilson's production of The Black Rider, and appeared in several movies.

On Sunday, it was the depiction of a sexually aroused, anatomically correct male donkey and references to capital punishment that nearly derailed an ambitious interpretation of the Handel opera "Semele," the tragic tale of what happens when a lustful god, a vengeful goddess and an impressionable young maiden are ensnared in a love triangle.

Updated at 5.29am GMT 4.14am GMT Review: Dido & Aeneas A scene from Dido and Aeneas Photograph: Sebastian Bolesch/Supplied Jane Howard went to see Sasha Waltz's interpretation of the Purcell's opera last night.

Set in Philadelphia, the film is a modern interpretation of the 19th century opera Carmen by French composer Georges Bizet.

Sure enough, they booed heartily at Neuenfels's interpretation, which depicted most of the opera's characters as rats in a laboratory, with only the four main roles as fully human.

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