"That inspires a different kind of concert".
Titles of concert programs can be misleading.
Talks at length about Goode's interpretation of Schubert's sonatas, and his recording and concert performance of Beethoven's complete sonatas.
The concert also included a dynamic interpretation of "Raising the Gaze" by Peter Lieberson, who died last year and whose influences included Stravinsky, serialism, Buddhism and jazz.
The concert ended with a bold interpretation of the Symphony of Psalms, in which Mr. Thomas encouraged the nearly 120 choristers to sing out robustly, making this sacred symphony seem an anthem of fear and exultation.
Mr. Martins, who received an ovation as he took the stage, opened the concert with a full-blooded interpretation of "Jesu, Joy of Man's Desiring" from Bach's Cantata No. 147 in an arrangement by Charles J. Roberts.
The interpretation of Brahms's Piano Concerto No. 1, which opened the concert, also lacked a necessary element of excitement.
Another of the concert's highlights was his freely flowing interpretation of Music for a While, which achieved that rare quality of sounding genuinely improvised.
At one concert Bernstein issued a disclaimer about Gould's interpretation of Brahms's First Piano Concerto, which featured excruciatingly slow tempos and produced scathing reviews.
The program will open traditionally enough for an orchestra concert, with a little Beethoven, but this particular interpretation of the finale of the "Eroica" Symphony promises to be a bit different.
One possible interpretation of these results is that the two kinase families act in concert through independent and non-compensatory mechanisms.
