Sentence examples for interlocked lives from inspiring English sources

Desire is rarely expressed in these interlocked lives, whose stories travel back and forth in time and don't so much evolve as stagnate — or, in one case, come to a premature end.

Sandra Birdsell's Waiting for Joe was the story of two people overwhelmed by debt and obligations who take to the road, while in Drew Hayden Taylor's Motorcycles & Sweetgrass, the arrival of a stranger on an Indian Chief motorcycle, like a stone thrown into a slough, rocks the interlocked lives of the denizens of the Anishinaabe (Ojibwa) town of Otter Lake.

He keeps the stage relatively bare, so that we can concentrate on the movements of these heavy-spirited characters, rather than on their inarticulateness: desire is rarely expressed in these interlocked lives, whose stories travel back and forth in time and don't so much evolve as stagnate — or, in one case, come to a premature end.

Even then, however, their lives are so interlocked that disengagement is almost impossible.

Gaia is a term invented around 1950 by an English theorist, James Lovelock, suggesting a kind of ultimate ecological connectedness, the idea that living things are so interlocked in function that all of them, from microbes to elephants, are part of a single immense organism.

These interactions often "live on" after the interlocked structure is assembled, and any cavity in the 3D space formed by such a catenane then has functional groups in precise positions that are often well-matched to bind substrates with high specificity.

(Brantley) ★ 'What Rhymes With America' Melissa James Gibson's touching, mournful play examines the disappointed lives of a quartet of interlocked characters.

(Zinoman) ★ 'What Rhymes With America' Melissa James Gibson's touching, mournful play examines the disappointed lives of a quartet of interlocked characters.

(Gates) ★ 'What Rhymes With America' (closes on Sunday) Melissa James Gibson's touching, mournful play examines the disappointed lives of a quartet of interlocked characters.

Against that the live quartet plays an expanding, interlocked series of figures based on the rhythms and melodies of the recorded speech.

Mr. Reich's familiar "Vermont Counterpoint" (1982), for one, offered a consonant, chirpy, rhythmically interlocked backdrop flute and piccolo lines, against which Ms. Monson's live solo line danced, moving into the harmonies and around the rhythms.