Sentence examples for interior conversation from inspiring English sources

Exact(1)

His three collages in the show are collaborations with O'Hara, but his solo work, with its mix of image and word, is a form of self-collaboration, a witty, exquisitely phrased interior conversation.

Similar(59)

Such interior conversations are not uncommon for McConaughey, which is why, one glass into our conversation, he's able to start laying out a set of … well, to call them rules might be too binding.

The rich period of genre painting in the 17th-century Netherlands is represented by the interiors, conversation pieces, and scenes of work and play by David Teniers the Younger, Frans Hals, Jan Steen, Judith Leyster, Gerard Terborch, Pieter de Hooch, Adriaen van Ostade, and, the finest, by Johannes Vermeer.

As tunes from satellite radio filled the vehicle's interior, naturally the conversation turned to concerts.

It makes use of shifting perspective and multiple narrative techniques, such as interior monologues, telephone conversations, and school compositions.

("Darling, how fashionable!") Amanda and her husband derive satisfaction only from the removal of interior walls: "Their conversations on the subject of knocking through were so numerous and so energetic... that the walls seemed almost to fall down by themselves".

It is not, however, a statement on interior design, but a conversation on artifact collection, and the way in which we historically and presently document collections.

Brian McCarthy, a Parish-Hadley alumnus with impeccable art-history credentials (he is the only decorator since Elsie de Wolfe who has been allowed to alter the interiors of the Frick Collection), said lately that he's more engaged in conversations about an interior's investment potential than in conversations about how the space will feel.

Both the conversations and interior monologues proceed in a tone that you might call mock-heroic if Richards and Crandall weren't each so pungently earnest.

But there is way too much dialogue – any dramatic event seems to happen offstage and get relayed to us only through conversations or interior monologues, killing its potential impact.

The director has admitted that he hasn't watched much modern television and this omission is signalled in his default employment of lengthy conversations in interior settings: a bedroom, a kitchen, a barber's chair.

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