Sentence examples for interference distortion from inspiring English sources

Let (alpha _{_{text {SU}}}) denote the SU's residual interference distortion factor.

A similar effect was also observed with the increase in the SU residual interference distortion factor.

To include the effect of the residual interference signal, we set the interference distortion factor to 0.1.

The impact of the residual interference distortion factor (alpha _{_{text {SU}}}) on the detection and false alarm probabilities is demonstrated by the ROC curves shown in Fig. 3.

This is due to the fact that their time bandwidth products are the same and equal to 200. Figure 3 also shows the effect of the residual interference distortion factor (alpha _{_{text {SU}}}) on the false alarm and detection probabilities.

However, in the inverse situation, in which the subcarrier separation of the interference is fixed to  MHz, the interference distortion on WiMAX systems with  MHz (  KHz) and  MHz (  KHz) behaves the same since only very few UWB subcarriers contribute to the interference component within the narrow WiMAX bandwidth.

However, such multi-terminal systems have two practical limitations: (1) wireless channel suffers from various impairments, such as interference, distortions and/or deep fading, (2) signal processing complexity as well as transmitting powers has to be as low as possible due to the power, bandwidth, and/or size restrictions of the wireless nodes.

The subchannel SNR n, as defined in [13], incorporates both interference and noise distortion.

As there is some correlation between signal and interference channels, distortion effects from the interference can no longer be expected to be similar to the one of AWGN.

Outside philosophy and the courtroom, perhaps we only recognise human memory as operating 'normally' when its successes are shot through with instances of forgetting, selection, condensation, interference, and distortion.

Noise minimisation therefore becomes a compromise between interference and distortion, both in recording and in live music, and between interference and feedback in live amplification.