Sentence examples for intention consists from inspiring English sources

Paul Grice [1971] favored a closely related view in which intention consists in the agent's willing that certain results ensue, combined with the belief that they will ensue as a consequence of the particular willing in question.

Simon of Faversham's literary production, aside from the opusculum, Sophisma: A Universal is an Intention, consists entirely of commentaries on Aristotle's logical and psychological works, and is clearly a product of his teaching.

Already in the first statement of his account he points out that it is "reductive in spirit" (Bratman 1999: 108) and clarifies that the core "claim is that shared intention consists primarily of attitudes of individuals and their interrelations" (1999: 129).

Aesthetic intention consists of the production, presentation, or performance of an aesthetic entity or artifact with conscious regard for its potential for evaluation by another individual.

Thus the IBM framework focuses on determinants of intention, consisting of three constructs: attitude, social influence and personal agency [ 27].

A short but comprehensive way of concluding would be to say that the fulfillment of communicative intentions consists precisely in being recognized by the addressee.

Intentions consist of attitudes and subjective norms.

A set of questionnaire on Entrepreneurial Intention which consists of 54 questions was used for data collection.

In all other cases, however, Pascal described Jesuit casuisty as teaching that it is possible to modify the moral character of an action by applying the method of "directing the intention, which consists in selecting something that is permitted as the objective of one's actions" (Letters: I, 649).

Mr Ahmadinejad has made no secret that he longs to see Mr Rafsanjani and members of his family charged with corruption.So complete is Mr Rafsanjani's eclipse, at any rate for the time being, that information on his movements and intentions now consists of hearsay.

Intentions (1891), consisting of previously published essays, restated his aesthetic attitude toward art by borrowing ideas from the French poets Théophile Gautier and Charles Baudelaire and the American painter James McNeill Whistler.