Sentence examples for intensity of tone from inspiring English sources

Noseda had saved the orchestra's greatest intensity of tone for Shostakovich's Sixth Symphony.

Enameling was itself a 16th-century European import that Mughal-era craftsmen, especially those from the Deccan, soon perfected, adhering to the red, green and white palette of the gems and achieving a matching intensity of tone.

For vibrancy and intensity of tone, for emotional specificity, variety of color and sense of direction, from the threshold of silence to the most volcanic eruptions, the Vienna performance justifies the sort of critical rapture that began with Mr. Kerner and has seldom flagged since.

Here it is distilled in the vastness and fearless intensity of tone.

Photographic assessment showed a decrease in intensity of tone of general skin spots, UV spots, and brown spots associated with improvement of skin texture and appearance of pores; these improvements remained statistically significant (Table 3).

More recently, Lemony Snicket's "Series of Unfortunate Events" found its poise between lightness of tone and intensity of feeling — walking the tightrope between charm and harm, but also providing a supersaturation of material.

Bel canto singing from the 17th through the early 19th century was built primarily on the recognition that the intensity of vocal tone on a single note may be increased or diminished.

Using a relatively small dynamic range, bel canto singing was based on an exact control of the intensity of vocal tone, a recognition of the distinction between the "diapason tone" (produced when the larynx is in a relatively low position) and the "flute tone" (when the larynx is in a higher position), and a demand for vocal agility and clear articulation of notes and enunciation of words.

His style has been described as "always intense, understated, concise, and serious" and he is "known for purity and intensity of his tone, his sustained breath control, and his unique ability to bend notes to his will".

What Pound missed was Housman's music, which so lent itself to composers — the intensity of his tone and the tautness and compactness of his expression.

Hearing thresholds were established by determining the lowest intensity of a tone between 0 100 dB that elicits a response at each frequency.