Exact(3)
Dasein's beginning is thus a moment at which a biological human being has become embedded within a pre-existing world, a culturally determined field of intelligibility into which it is thrown and onto which it projects itself.
More specifically, according to Being and Time, the a priori transcendental conditions for intelligibility are to be interpreted in terms of the phenomenon of heritage, that is as culturally determined structures that form pre-existing fields of intelligibility into which individual human beings are thrown and onto which they project themselves.
The SIR is a nonlinear scale that classifies children's speech production intelligibility into 5 levels (1 = unintelligible; 5 = easily understood by all listeners).
Similar(57)
Music intelligibility is simplified into three tasks of music classification: onset detection, pitch estimation, and instrument recognition.
For, what we lucidly encounter in art is our making-sense of the place in which we find ourselves, a fundamental "world-disclosing" that is always already at work in human "existence," our standing-out into intelligibility.
Perhaps the pivotal thought is as follows: Natural materials (the earth), as used in artworks, enter into intelligibility by establishing certain culturally codified meanings a world in the sense of Being and Time.
Since Being and Time at least, Heidegger had insisted on the "equiprimordiality" or "co-originality" (Gleichursprünglichkeit) of "truth" and "untruth" (BT 265/SZ 222), building on Husserl's phenomenological axiom that the emergence of one thing or aspect of a thing into intelligibility requires the concealing of another.
But simply thinking you have "good ideas" doesn't translate into intelligibility.
To bring this into view, Heidegger reinterprets his earlier notion of intelligibility in terms of the concept of a clearing.
As Arnold Schoenberg said: "Intelligibility in music seems to be impossible without repetition".
Thus, methods for improving speech intelligibility can be broadly classified into two categories.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com