Sentence examples for instruments from one from inspiring English sources

Joel Gibb of the Hidden Cameras played three songs on various instruments from one of Russell's posthumous records, "Calling Out of Context," material from a time when Russell was writing lyrics that sounded like letters to a friend.

They wore black pants and white shirts, and they walked with their instruments from one club to another, where they arranged with the whores to have their dates request songs, and then they would kick back money to them.

Zbigniew Rybczynski's 1973 musical short "Plamuz" — one of many jazz-influenced Polish movies in the exhibition — animates a cool jazz ensemble's jam session, splitting the screen into pulsing shards of color that dance to different instruments from one moment to the next.

Other infection-reducing measures directed at surgeons include: wearing two sets of surgical gloves; substituting electric scalpels, clips and glues for sharp instruments; improving techniques for handing instruments from one health care professional to another; using postoperative checklists; and increasing the use of nurse practitioners and physician assistants to reduce surgical workloads.

The use of coherent terms would not only enable the accurate replication of studies but also help in determining whether tools and instruments from one setting can be easily transferred to another.

He decided to change the lasers that pump light into the instruments from ones that squeeze light from argon gas to more powerful and reliable solid-state lasers, then just coming to market.

Lauffs et al. (2008) [ 16] state that it is not only necessary to translate an instrument from one language into another, but also to adapt it culturally.

The need to accommodate as much as possible the many different language/cultural groupings makes it inherently more complicated than the simple process of adapting a screening and diagnostic instrument from one culture into another.

Adapting an instrument from one language and culture into another is, therefore, not only about ensuring cultural relevance and applicability: the adaptation process provides an opportunity to look carefully at the original instrument and to improve upon the original in terms of reliability and validity, general robustness and 'user-friendliness', and suitability for use.

For the three Kurtag sets, the musicians divided, like a cell, into two equal parts, although the pieces were played by various instruments, ranging from one ("Blum Tamás in Memoriam," in which Ms. Kashkashian explored playing two lines at once) to all six.

For example, when changing instrument material from one softwood to another, ideal locations for piezoelectric sensors are subject to change.