Validation was set at two levels: (i) QC, in which the purpose was to establish, for each section, if the data entered satisfied the standards (from the instrumental point of view) set by acquisition protocols; (ii) quality assessment, in which the purpose was to establish whether the eTDB entries were the same as source records, i.e. hospital files.
From an instrumental point of view, this implies a stronger emphasis on developing tools that will enable managers to clarify the roles of their staff in different contexts, to monitor the scopes of practice of their staff, and to detect any barrier or facilitator to effective utilisation of the workforce.
This discrepancy is presumably caused by instrumental point spread (Yamazaki et al. 2017) and the effect of upper haze.
This type of mismapping results from errors in instrumental pointing associated with the attitude of the spacecraft and the alignment of the instruments.
The results show that our algorithm successfully corrects instrumental pointing and will enable a variety of studies on the Venusian atmosphere using Akatsuki data.
It discusses why the arts, from an instrumental and utilitarian point of view, matter in business and defines the conceptual background explaining how the arts can be adopted by organizations for management purposes.
These findings will be instrumental for the development of next generation point-of-care biochips.
If, then, there is some attraction or instrumental advantage from the point of view of a particular theory to thinking in pluralist terms, then it is open to that theory to have a pluralist decision procedure, even if the theory is monist in every other way.
As frequently pointed out in the research literature, in such a situation, involving local communities and resource users is essential, both from an instrumental and an ethical point of view.
Recalling that non-instrumental value is the present point of focus, Bentham's account suggests the quantitative hedonist idea that the non-instrumental value of pleasure is a matter just of its quantitative features, and that these reduce just to its duration and its intensity.
Thereafter, the performance's strength often lay in its detail, as Gergiev mined the sinister implications of instrumental solos at points of near stasis, and ratcheted up tensions by emphasising brief but savage harmonic clashes.
