Sentence examples for instrument experience from inspiring English sources

Though makers claimed that the newer valve removed sharp turns in the windway and thus improved the quality of sound and ease of playing the instrument, experience with well-made and expertly restored period instruments shows that horns with the older Stölzel valves play and sound as well as those fitted with the new-fangled Périnet valves.

Measuring instrument: experience questionnaire: CQ Index General Practice (56 items), added with 27 new anthroposophic items added and an item-importance questionnaire (anthroposophic items only).

Some studies have suggested that laparoscopy operative skill is related to age, gender, lateral dominance, video-game and musical instrument experience.

The weather instrument experienced a problem that engineers figured out a day later.

Despite a recent emphasis on 'evidence based policy' accompanied by an abundance of 'green' policy instruments, experience from the European Union and OECD countries shows that decisions which truly aim to balance environmental considerations with social and economic ones remain thin on the ground.

In contrast, string instruments experience inharmonicty patterns that deviate to the higher end of the calculated harmonic location [28].

Most of the other financial instruments experienced a negative impact, which implies a decline in demand.

As a consequence, the "noise" related to items in standardised instruments experienced as irrelevant by participants will be reduced, which in theory will have the potential to make the COPM more responsive to capturing the effects of reablement.

Where the NOAA-20 instrument would experience perhaps 44 intrusions over the course of a year, MicroMAS-2A would experience 5,700.

In these passages, he anticipates the strategies of selfacknowledgment that became commonplace thirty years later in the work of Hunter S. Thompson and Mailer: the writer is not some impersonal conveyor of data but a fallible instrument of experience, including his own.

(After Mr. Frank's "Kimbie," she parsed the last verse, which begins "I wished I was a mole in the ground". "It's very sexy," she beamed. "Isn't it?") But she uses her ravaged voice as an instrument of experience, making a sound without wonder or curiosity: it stays in the same tonal and emotional register, song after song after song.