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Because of what Surrealism was all about -- liberating the imagination and the unconscious and expressing desire (thanks partly to what were then the new ideas of Sigmund Freud) -- there were plenty of instances of the work being deemed too risqué for the public's good.
Goodman suggests that architecture is a borderline case of an allographic artform, as its notational schemes in the form of plans are intended to guarantee that all objects as are compliant are genuine instances of the work.
It also diverges from Stephen Davies' idea (2007) that there can be versions of performable works of art that differ from the original in features that are usually constitutive of that work but that are still instances of the work rather than a new work or an interpretation of a work.
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Artists will drive you crazy, and The Hundred Brothers is a perfect instance of the work of art that seduces you with its beauty and power and then maddens you with its craziness.
For example, some seriously flawed attempts to play a difficult piece by Chopin are nonetheless performances of that work, even though they lack qualities that a proper or a good instance of the work would have.
Goodman claims that architecture does have, in the architect's planes, something quite close to a notational system, and hence is, because of that, an allographic art: different buildings, built in different locations and even with certain differences in materials, would be instances of the same work, provided that they correspond to the same plan.
Currie conjectures, for example, that if "Picasso's twin on 'Twin Earth' produces a canvas indistinguishable from Picasso's Guernica, and if he does so in the same way, then Guernica and Twin Guernica are instances of the same work" (1989, 9).
Not only would it require a platform to monitor and automatically remove all future instances of the identified work, but it would also require the platform to single-handedly determine each time whether a use is infringing, licensed, or protected under the exceptions and limitations in copyright law.
Mr. Wertz and other Wal-Mart executives said the instances of off-the-clock work were isolated.
Wolterstorff's line on this topic is that in the case of many paintings, the artist does not settle on a set of properties that establish criteria for correctness of instances or "occurrences" of the work (1980, 72).
The book she was working on, Pilgrim at Tinker Creek, is a classic instance of the nonfiction work of art.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com