Sentence examples for installation origin from inspiring English sources

You can find out more about UVA in our short doc on them below and also watch a documentary on their installation Origin.

We'll be exhibiting the best of The Creators Project including United Visual Artists' striking 40-foot by 40-foot audiovisual installation Origin, scored by electronic composer Scanner, Meditation by Minha Yang, Strata #4 by Quayola, Six-Forty by Four-Eighty by Zigelbaum + Coelho, and several new works from our Creators.

We'll be showing some of our favorite artworks United Visual Artists' striking 40-foot by 40-foot audiovisual installation, Origin, scored by electronic composer Scanner, Mick Rock and Barney Clay's David Bowie transfiguration, Six-Forty by Four-Eighty by Zigelbaum + Coelho, My Secret Heart by Mira Calix and Flat-e, Meditation by Minha Yang, and Overscan from Sosolimited.

From a musical tribute to David Bowie, an artist whose first hit was titled "Space Oddity," to major art installations whose origins are not of this Earth, this is clearly a celebration of interplanetary dimensions.

You might remember UVA from their Coachella Stage in 2011, or Origin, their installation at The Creator's Project: New York 2011.

Jonathan Glazer and J. Spaceman with Undisclosable and One of Us' immersive sound installation and UVA's Origin will be open until 10 PM tonight, so come down and enjoy some free culture!

He has conceived of "The Day After" as a spectacular sound-and-light installation focused on the origins of life and the intersection of art and science.

Two software firms called Red Hat and Caldera, for example, offer tested versions of the program along with installation support.Despite its hacker origins, Linux is increasingly dependable.

Even though you may have seen the magnitude of installations like UVA's Origin, Minha Yang's Meditation, or Life on Mars Revisited by David Bowie, Mick Rock and Barney Clay in the documentaries on our site, we assure you that they are far more incredible when experienced in person.

The presentation is preceded by three sections that introduce the theoretical context at the origin of the installation starting from urban theory in architecture, to the role of public art up to the discussion around the topic of soundscape, in a path from the most general issues to those more related to the specific character of the installation.

The space occupied by the population along the Algerian Sahara has been at the origin of the installation of underground tunnels that drain the water table using a regular slope lower than the general slope of the ground, known as the foggaras.