Sentence examples for installation connected from inspiring English sources

They are hoping that the installation, connected to the Internet by high-speed microwave and satellite links, will become a refuge from governments increasingly trying to tame and regulate the Internet.

UPQC is specifically designed to protect the critical load at the point of installation connected to distorted distribution systems by correcting the shortcomings, such as harmonic distortions at the utility consumer PCC, voltage disturbances, voltage regulation, reactive power flow at fundamental and harmonic frequencies, neutral and negative-sequence currents, and harmonic isolation.

So, picking and choosing from the last month of overlooked base news, how many of you noticed that a U.S. KC-135 refueling plane, based at an American "military installation" connected to Manas International Airport near Bishtek, went down over northern Kyrgyzstan?

Six years ago, on September 14, I had walked along the Boulder Creek, following the blue discs in artist Mary Miss' outdoor art installation "Connect the Dots: Mapping the Highwater Hazards and History of Boulder Creek".

The installation was up for just a couple of hours, but it garnered enough attention that the good folks at The Kids hope to create a permanent installation connecting Berlin to Nouméa (New-Caledonia).

He concluded that the rocket had likely been fired from the north, "where 6-8km awayouou'll find a number of military installations, connected by a 2km road to the 155th Brigade missile base".

With the growing number and capacity of photovoltaic (PV) installations connected to distribution networks, power quality issues related to voltage regulation are becoming relevant problems for power distribution companies and for PV owners.

And down the road at the Marlborough Contemporary, a new offshoot of Marlborough Fine Art, is Angela Ferreira's exhibition "Stone Free": sketches, photographs and installations connecting the Cullinan Diamond Mine in South Africa with Chislehurst Caves in South East London, ground zero of '60s counterculture.

Only one of its rooms – that in which Malluh's pots adorn an entire wall – comes with a theme, all three of its installations connecting pointedly to events in the Middle East, a triptych of disillusion.

The site-specific installation is connected to a website which collects the measurements of participants—so far 2,000 people have participated, amounting to a virtual tower of about 7545.93'.

The models of the maps, audio, and video of the installation are connected to software and a video camera that divides the space in half and makes the piece respond to the presence of individuals according to their location, movement, and the present population density.