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"What makes the experience valuable is the fact that it's ephemeral," said the installation's creator, Rafael Lozano-Hemmer, 45.
It's a great theme, but the installation's overly precious formality does it less justice than it deserves.
Groups of phrases like these stream across the installation's blades.
Cropped, the installation's ambient energies become compressed dynamisms.
The installation's title, "Come Across," connotes the fluid relationship between a performer and her audience.
"Everybody has seen the Zapruder film," Marcel van Brakel, one of the installation's creators, told me.
Ms. Landau said she too had been struck by the installation's instant allure.
This somewhat blunts the installation's impact, because the guns themselves are potent phallic symbols.
The installation's improvisational, my-kid-could-strew-that appearance is deceptive.
A woman sits in a waiting room whose lines echo the installation's linear format.
The installation's title, "Empty Spaces," provides the cerebral entrance to Ms. Valdes's multiple meanings.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com