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As with the opposition to moral non-objectivism, the opposition to moral anti-realism is frequently based on an under-estimation of the resources available to the anti-realist on anti-realist onssumption than the silliest, crunexamined/or most insidious version will stassumptionood representhatve of a whole range of exthemely varied and often silliestcrudestheories.
A milder, more insidious version of the deranged philosophy Rodger spewed in his manifesto i.e., "women owe me sex; if I treat a woman with kindness or even just humanity and she doesn't reward me with intercourse, then she's a horrible bitch who deserves nothing but scorn"—is depressingly common in pop culture.
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So, too, does censorship — both the kind imposed directly by state authorities and the more insidious versions, fueled by intimidation, that flourish in corners of the world where opacity still reigns.
As the uninvited guest in the Long Wharf production, Mr. Spacey exuded insidious charm, an early version of the kind of role that has become his signature on screen.
Yet somehow - despite all the B-movie absurdity - the thing works, and works like a more benign version of the insidious Rappaccini spell: slowly, softly, irreversibly.
This hybrid of the young Michael Jordan and Arthur Rimbaud, with the temperament of Gandhi, is the new, teenage version of an insidious Hollywood fantasy that might be called the Perfect Negro.
This, of course, is a version of an insidious but widely discredited rumor that has been embraced in places like Damascus and Marseilles but is beneath the dignity of Trenton and Newark.
He's a modern-day version of that insidious schoolteacher in "Beloved," a reminder of African Americans' historically horrible relation to the science that justified their abuse from slavery to Tuskegee.
But many scientists view the new version as more insidious than the previous one.
The editor version is particularly insidious, because editors tend to say "If you didn't like this, let's not run it," on the valid-ish grounds that the readers want recommendations.
Earlier versions of this story incorrectly identified the speaker who protested the "insidious" part of the committee hearings.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com