Sentence examples for innumerable artists from inspiring English sources

Innumerable artists have exploited the poignance of shabby materials.

Innumerable artists have been inspired by it; Pablo Picasso became so obsessed he painted 58 versions in one year alone.

Of course, there are innumerable artists who have thrived under completely different conditions, including within our own culture of greater personal revelation — and my grandmother herself was always quick to point out that resistance to change is generally a folly.

PAGE C1 POSING WARHOLIAN QUESTIONS Jonathan Horowitz is one of innumerable artists influenced by Warhol, and an exhibition of Mr. Horowitz's work at P.S. 1 Contemporary Art Center feels simultaneously like a hodge-podge of random elements and as if it has one sensibility.

Light, with its usual spiritual overtones, and shadow, amplified occasionally by mirrors, also become baroque devices in this stripped-down context and are variously exploited by innumerable artists (Smithson, Robert Morris, Michael Asher, Mr. Nauman, Mr. Irwin, the list goes on).

So are innumerable white artists; just check out back volumes of any major art magazine for proof.

Countless Americans (and innumerable French artists and writers) have done their best work under la grisaille, as Parisians call their leaden ceiling.

The admirable young Harvard graduate Varian Fry ran his own underground railroad from Marseille, providing visas for innumerable refugees, some famous artists, some obscure, which he did with no official encouragement at all: the United States maintained diplomatic relations with Vichy until Pearl Harbor, and the American consul in Marseille strongly disapproved of Fry.

Even the art critic Kim Levin, of the Village Voice, whose outraged response to Currin's "awful" work, in 1992 — "Boycott this show" — has pursued her through innumerable discussions of the artist, capitulates, sort of, in a recent column.

Take the suite called Ventriloquist - one painting, innumerable prints supposedly 'set' in the artist's bathroom.

First presented in 1973, it's just what it says it is: a sprawling cash-and carry bazaar of the castoff contents of innumerable household attics and closets, including the artist's own.