Like all of my operas, it should have the effect of being fundamentally private music, music that I want to communicate with the inner world of my listeners, just as it expresses my inner imagination".
Rooted in imagination, the 'lived space' is essentially subjective, a passive experience wherein the outer physical space resonates with the inner imagination, which makes symbolic use of outer objects, retaining or rejecting them according to an arbitrary, because subjective, though often cohesive system of priorities and preferences.
Aronofsky's blend of the concrete and the phantasmagorical, the study of the face and the inner vision of the disturbed imagination, make for a film that is as modern as it is classical.
The movement's emphasis on inner vision rather than observation of nature captured Munch's haunted imagination and engaged his moody genius.
The role of imagination can be seen in terms of the dialectic of inner and outer vision in creative making in which inner vision seems at first richer, and then outer vision seems to have more energy, although the inner vision controls the outer.
What Ms. Gross strives for with her guests is "to explore their inner life, their imagination, and the sense of the person," she said.
Atheists who aren't interested in considering even the stories of the supernatural, in all their alluring and harrowing grandeur, simply impoverish, willfully, their inner lives, their imagination.
His first important novels Een zwerver verliefd (1904; "A Wanderer in Love") and Een zwerver verdwaald (1907; "A Lost Wanderer") are set in medieval Italy, but the historical aspect is subordinated to the inner life and imagination of the hero, Tamalone.
He knows that Lola is the kind of part that can serve to further brighten his hydroelectric power while showing off his great gams, no matter how trite: the script is just a jumping off point for his indefatigable energy, inner resources, and imagination.
There's no more ambivalence or doubt in the movie's cast of villains and heroes than there is in a classic-age Saturday-morning serial, and, as a result, Zemeckis doesn't allow Max and Marianne to have any human dimension, any inner life, any imagination beyond the contours of their lives as secret agents.
My natural response to the constant emotional distress was to turn inward to my inner voice and imagination.
