Sentence examples for inner forms from inspiring English sources

It dug deeper, towards the inner forms of life.

The SoundScape, the projection wall, the tantalizing inner forms, the glass-walled rooms that reveal musicians practicing: these all pique the curiosity of newcomers, if only for a moment.

Furthermore, our previous results enable us to prove this conjecture for inner forms of type (mathsf A _{ell }) in the general case.

Such a conflation, he maintains, was already made by von Humboldt, for the worldview of a people who speaks a given language is more accurately identified with the meanings conveyed by applications of language and not with images or other inner forms which link these expressions with the meanings.

Since (T) is generic and (G, G^{prime }) are inner forms, it follows from Lemma 4.3 and Remark 4.4 in [21] that (varphi ) extends to an isomorphism (tilde{varphi } :G rightarrow G^{prime }) defined over an algebraic closure (overline{K}) of (K).

More precisely, Conjecture 5.2 predicts the finiteness of the genus, defined in terms of the isomorphism classes of maximal (K -tori, of an absolutely almost simple algebraic group over a finitely generated field (K -torigofd" chanabsolutely—Theorem 5.3 confirms this conjecture for inner forms of type (malmostA _{ell }).

This was interesting because one of the arguments of those who prefer Bach on modern instruments is that what counts in his music is the inner form, not the outer trappings.

Ives Abstraction" have placed "Red Circle" in the same room as the show's only Hepworth, "Sphere With Inner Form" (1963), a flowing, fascinating study in positive and negative volumes.

The outer form of language was the raw material (the sounds) from which different languages were fashioned; the inner form was the pattern, or structure, of grammar and meaning that was imposed upon this raw material and differentiated one language from another.

Since it is an inner form over (K), for any maximal (K -torus (T) of (G) we have (mathrm{Im}, theta _T subset W(G, T)) (cf. [21, Lemma 4.1b]).

Instead, they suggest that genres should be understood descriptively, as based on the "outer form" (meter, structure) and the "inner form" (attitude, tone, purpose), with the "outer form" emphasized.