Mr. Wu's landscapes, which combine Western oil painting and Chinese ink techniques, are prized by collectors.
Zhang's art, like Mr. Lin's writing, was a cross-cultural fusion, as can be seen in "Mountain Clearing After Rain," an opulent jade-and-ashes landscape that combines Chinese ink techniques and Western.
He studied Chinese and Japanese ink techniques, was attuned to developments in Western art and drew on a wide spectrum of Indian traditions, from the 5th-century Buddhist murals at Ajanta to 16th-century Mughal illuminations.
The third is a landscape painted in the haboku, or splashed-ink technique, and therefore usually referred to as the "Haboku-sansui" scroll.
He is also known for his landscapes in the haboku ("splashed-ink") technique, a style promulgated by Chinese Chan Buddhist painters who likened the spontaneous brushwork and intuitively understood (rather than realistically depicted) forms to the spontaneous, intuitive experience of Chan enlightenment.
Although he attributed this style in part to the splashed-ink technique of the ancient painter Wang Mo, many believe it to be related to that of the Abstract Expressionist movement then popular in the United States and a departure from that of his traditional paintings.
Deposited using inking techniques (Figure 8(b)), the 50 individually addressable electron beams allow for arbitrarily defined, and controllable electron, and hence X-ray beam shapes, for application in radiotherapy.
Some of the tattoos presented here were done in the early 1990s, while others are more recent – each and every one of them exhibiting signs of period-specific inking techniques.
