Sentence examples for ingenious illusion from inspiring English sources
Or is the entire operation an ingenious illusion meant to sow confusion and fear among the Tourists and their deskbound analyst colleagues called Travel Agents?
The chills, however, will be punctuated by gasps of surprise at a succession of ingenious illusions.
Likewise, Glass's decision to sync his operatic adaptation of the Jean Cocteau film "La Belle et la Bête" to the precise timing of the movie creates a humorously weird doubling effect that respects and responds to the director's ingenious optical illusions.
Likewise, Glass's decision to sync his operatic adaptation of the Jean Cocteau film "La Belle et la Bête_"_ to the precise timing of the movie creates a humorously weird doubling effect that respects and responds to the director's ingenious optical illusions.
For his latest film, Brusspup built an ingenious homemade device that creates the illusion of movement.
Aiding the illusion is a series of ingenious effects by the designer John Napier, who transformed the interior of the Winter Garden into a overrun junkyard seen from a cat's-eye perspective.
In the picture gallery, moveable shutters create the illusion of a larger space, allowing the ingenious cabinets to elegantly unfold and reveal multi-layered paintings including Turner's Van Tyomp's Bayge and Hogarth's The Rake's Progress.
What remains of George Smiley is not the spy business, however ingenious, but a stoic shabbiness that speaks of the decayed illusions of postwar empire.
Banquets held on fish days could be splendid, and were popular occasions for serving illusion food that imitated meat, cheese and eggs in various ingenious ways; fish could be molded to look like venison and fake eggs could be made by stuffing empty egg shells with fish roe and almond milk and cooking it in coals.
Furthermore, the idea of total spatial illusion generated by Mantegna was not fully exploited until inventors of ingenious schemes of ceiling decoration in the Baroque era (the 17th century), such as Giovanni Lanfranco and Andrea Pozzo, utilized a basically identical concept of total illusion dependent upon the location of a hypothetical viewer standing at a single point in the room.
