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As the influences of science and technology on its national economy have increased, each country has devised various funding programs for research and development (R&D) projects.
The mutual influences of science, technology and international affairs are so important and pervasive that the field should be recognized as an independent sub-discipline.
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"So" also echoes the creeping influence of science- and data-driven culture.
Prince Albert decreed they were to be used to "increase the means of industrial education and extend the influence of science and art upon productive industry".
The pervasive influence of science is most apparent in modern criticism's passion for total explanation of the texts it brings under its microscope.
By this point in his ambitious narrative, however, Ferris has given up on any real effort to argue for the decisive influence of science as such.
It could even be argued that organisations like the Search for Extraterrestrial Intelligence (Seti) Institute in California and the existence of Nasa's astrobiology committee are an implicit recognition of the influence of science fiction.
One factor in this change has been not geology or Darwin – which the 19th century churches assimilated within months of the Origin's publication – but the ever-widening influence of science fiction.
The influence of science fiction can be seen in horror films of the 1950s about monsters from other planets (The Thing, 1951) and mutations of ordinary animals (Them!, 1954).
Compared to its influence on other public policies and national-level policymaking, the influence of science on international climate policy has always been relatively strong, both in terms of defining basic causal chains as well as in setting the short- to medium-term agenda.
One is Gustav Holst's popular suite "The Planets;" the other is the East Coast premiere of a work by David Carlson that Mr. Holst calls "the electrifying 'Quantumsymphony.' " Mr. Carlson, an American composer, describes his new piece as "an artist's romanticized vision of the influence of science on music, both past and present".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com