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It takes time for students, who are used to high school teachers who signal them with the phrase, "Now this is really important," to recognize the "architecture" of a lecture -- the introduction and summary, inflection, emphasis and pause, the use of "therefore," the digression -- and to figure out what is worth taking down.
But it isn't her staccato New York delivery with its heavy Parisian inflection (emphasis on the "a" in Chanel, not the "n") that betrays her status as fashion royalty; it's her use of the words "we wore" that's telling: it's the insider conjugation of the verb, no "I wore" about it.
Avoid a monotone voice – use a variety of inflection, emphasis and intonation to keep the audience engaged.
Similar(57)
To watch Bush work a room, however cheesy his salesmanship and however canned his hucksterism, is to behold a master of the American vernacular, that form of expression which eschews slickness and makes a virtue of the speaker's limitations — an artfulness that depends on artlessness, an eloquence that depends on inflection and emphasis.
To watch Bush work a room, however cheesy his salesmanship and however canned his hucksterism, is to behold a master of the American vernacular, that form of expression which eschews slickness and makes a virtue of the speaker's limitations an artfulness that depends on artlessness, an eloquence that depends on inflection and emphasis.
The difference between what Mr. Clarke is saying and what earlier accounts have said seems to be largely a matter of inflection, timing and emphasis.
In light of this inflection from an emphasis of immunity-as-defense to immunity-as-interface-of-exchange, immunology's conceptual character is shifting.
Relying on nothing more than tiny shifts of emphasis and inflection, the director, to an amazing degree, makes us care about the split between the unyielding Zuckerberg and Saverin, who's a decent guy but unimaginative and perhaps a little timid.
They develop extra-verbal cues like tone of voice, emphasis or inflection, expressions, gestures, watching the speaker's unconscious personal repertoire and his body language.
I can still hear her voice with its italicized inflections and underlined emphases, which sounded just like the letters she dashed off daily on Cosmopolitan International letterhead in place of the ephemeral e-mails she never sent.
Sometimes this occurs with just the tiniest rearrangements of words and emphases and inflections.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com