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Disco Inferno I never did my homework on this band.
He is also a historical figure and is presented as such in the Inferno (I): "... once I was a man, and my parents were Lombards, both Mantuan by birth.
With all the desperate slapstick of Hi-de-Hi! interspersed with the screeching melodrama of The Towering Inferno, I have to admit that this week's return offering was actually pretty good.
And at pro-ana's saddest extreme, balancing the militance on the scales of the double-digit goal weight, there are warnings of such severity that they might as well be the beginning of the third canto of Dante's "Inferno": "I am the way into the city of woe.
Convinced I was about to see an inferno, I tentatively crossed the street.
And after re-reading "The Inferno," I realize I have a dim prospect for the afterlife.
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I've actually never read "The Inferno," but I found that line in my mind every morning when I woke to do my hormone injection and especially on the darkest mornings — the ones when I went into the clinic to have my unpregnant blood drawn to confirm another I.V.F.
One day I accidentally pulled out James Nachtwey's 'Inferno' and I sat there for hours looking at every page.
I felt sorry for them walking into this inferno which I had just left".
He is seduced – "It's not the theme parks of Paradiso and Inferno that I dread most – the heavenly rides, the hellish crowds – and I could live with the insult of eternal oblivion…" – but inevitably undone by his first love, language.
Right now I am trying to finish my ballet (based on Dante's Inferno) that I started in 2013.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com