The phrase "infernal region" is correct and can be used in written English.
It is usually used to refer to the underworld or a place of extreme torment, either in a literal or figurative sense. For example, "The infernal region of the prison yard was a place no one wanted to be in."
Soon after, she dreamt up "Infernal Regions", a tour "in very bugaboo style" through Dante's underworld.
"Hell Up to Date: The Reckless Journey of R. Palasco Drant, Newspaper Correspondent, Through the Infernal Regions, As Reported by Himself" was his first book, published in 1894.
The basic visual style is goofy and kid friendly, but there is nothing stopping you from creating an evocation of the infernal regions.
The plants also smell unpleasantly... what we might imagine the cultivated parts of the Infernal regions to be... most disgusting, clumsy lizards... such insignificant, ugly little flowers as would better become an arctic than a tropical country......
Bergman, it is true, guides us through infernal regions that are closed to most filmmakers, and he has been much mocked in the attempt, but let nobody tell you that he does not share with Truffaut, with Fellini, with Welles the sharp, regretful taste of everyday experience.
A large part of my new book, Killing Sound, is spent underground (the London Underground, to be precise) and was inspired by a quote I read about it from 1860: 'The forthcoming end of the world would be hastened by the construction of underground railways burrowing into infernal regions and thereby disturbing the devil'.
Her son Henry became the Invisible Girl, booming prophecies in creepy darkness, and, with the help of glass transparencies, she created a vision of the Infernal Regions, featuring frozen lakes with erupting fountains of flame, and electric shocks should the customers, peering through grates, try and touch the exhibits.
Bergman, it is true, guides us through infernal regions that are closed to most filmmakers, and he has been much mocked in the attempt, but let nobody tell you that he does not share — with Truffaut, with Fellini, with Welles — the sharp, regretful taste of everyday experience.
The merge process further improves the alignment by replacing the long unaligned portions of RDP Infernal with the corresponding region from the NAST alignment.
To exploit this distinction, one can merge the best alignments from each tool by combining the hypervariable regions aligned using the NAST algorithm with the regions of strong secondary structure aligned by Infernal.
