Sentence examples for inextricable element from inspiring English sources

The subject is her relationship, onscreen and off, and the film suggests, with a stark if shallow clarity, the torments that both endured to get these films made and that are an inextricable element in these movies' greatness.

The tone of these shows may be hectoringly cheerful and goal-oriented, but at least judging from the brief samples included in the movie they suggest close ties to material life and its inextricable element of inner identity that most movies and plays can only envy.

When Tad characterizes Bruce's "skeletal remains" as "those of a hipster satirist who got arrested for saying 'cocksucker' in a night club so that modern comedians could say it on HBO," it's worth recalling that the aftermath of the arrests became, itself, an inextricable element of Bruce's performances.

Opinion, and the web of responses they crystallize, namely, taste, are an essential and inextricable element of criticism, and any critic who claims to excise personal response from their work is only pretending to do so and it wouldn't, in any case, be a worthy thing to attempt.

The great action directors are also great inaction directors; whether Martin Scorsese or Jean-Pierre Melville, they realize a vision of the world in which violence is an inextricable element of political power or a comedic manifestation of tragic derangements and delusions.

In fact, the very essence of his art is in the rethinking not just of direction but of production in the recognition that control, mastery, imagination, and originality in the technical, administrative, and economic aspects of filmmaking are crucial and inextricable elements of directorial inventiveness.

Assessment, as an inextricable component of the curriculum, is an important factor influencing student approaches to learning.

In this world, science and technology have broken through the walls of industry and of the laboratory to become an inextricable and determining element of nature, culture, and history.

Mitty, in Stiller's version, is a curator and a facilitator of images; the movie, as Friend describes it en route to its realization, seems likely to suggest that the deeds that are done in the real world, and the images of them that are made and shown, are inextricable from the element of fantasy.

These practices and beliefs are, mostly, rooted in the first millennium, but we suggest there is a "sea change" in the 11th and 12th centuries, wherein maritimity becomes inextricable from most elements of Swahili life.

These elements are inextricable from the issues around obtaining approval from National Research Ethics Committees.