Topics include industrialization of production and consumption, development of engineering professions, the emergence of management and its role in shaping technological forms, the technological construction of gender roles, and the relationship between humans and machines.
Extraction and use of construction and other non-metallic minerals had grown by one order of magnitude and consumption of metals and fossil energy carriers, core resources of industrialization, multiplied 4- to 6-fold.
From the comprehensive analysis and discussion carried out above, we obtain the following policy implications: First, it will be necessary to incorporate consideration of the adjustment of energy consumption structure into the industrialization and urbanization process.
Personal income and consumption increase.
On the other hand, because of the industrialization, oil consumption is increasing which motivated oil producing countries to optimize their production.
Indeed, they agree with U.S. analysts who say that the Chinese economy, having experienced three decades of rapid industrialization and massive capital investments, needs to be rebalanced toward domestic consumption.
Population growth, increased water consumption, and higher demand for water largely due to industrialization and urbanization are draining water resources worldwide.
The second era, Industrialization and Conservation, contains works engaging tensions between progress and preservation, including complex representations of consumption and its effects by Winslow Homer, Thomas Eakins, George Beaver, and others.
Transport sector, because of the growing industrialization and urbanization of Pakistan, is one of fastest growing sector in terms of output, energy consumption and CO2 emission.
A second section, Industrialization and Conservation, explores work that addresses the tensions between progress and preservation, including complex representations of consumption and its effects by Winslow Homer ("Prisoners from the Front," 1866), Thomas Anshutz ("The Ironworker's Noontime," 1880) and a Standing Rock Sioux artist (a stretched buffalo robe of 1882).
