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In some instances indigenous artists continued to explore their own traditions and themes without alteration.
In areas more directly in contact with European influence, indigenous artists were taught by friars.
In the decades after European contact, an increasing number of indigenous artists undertook fresco painting.
Indigenous artists were shown imported works by European artists that served as models.
But there were questions about authenticity and the exploitation of indigenous artists.
[But] there are some really amazing Indigenous artists coming out now.
These may have been works overseen by inexperienced friars who took advantage of the wood-carving skills of indigenous artists.
As the colonial period began, a distinct divide at first existed between indigenous artists and European émigrés.
In London the indigenous artists were in separate rooms and they only rate one chapter in the catalogue.
His status among Indigenous artists – both as a self-confessed troublemaker and spokesperson – attests to his continuing relevance.
Six artworks by local Indigenous artists are also projected onto the red sand in Grounded, one of three displays.
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