Sentence examples for including settings of from inspiring English sources
Charles Ives of Danbury, the Pulitzer Prize winning classical composer who died in 1954, wrote dozens of sacred music pieces, including settings of several psalms.
Beethoven eventually expanded the role of the accompaniment in his finest songs, including settings of Goethe and Gellert, and the cycle An die ferne Geliebte.
He also composed several vocal and choral works, including settings of John Donne's "Divine Poems" and Louise Labe's "Sonnets," as well as a film score, "Conspiracy in Kyoto," and incidental music for several Shakespeare plays.
Around 1200, two of the composers of Notre-Dame Cathedral, Paris, Léonin and Pérotin, wrote the Magnus Liber Organi, a compilation including settings of 59 Graduals and Alleluias in two to four voices.
Other works by Petros, including settings of 11th-century liturgical poetry, adorned the chant style with traces of harmonization, if not outright counterpoint, and in some examples what had been the bass drone in the opening chant expanded to form a slow-moving bass line, still hummed wordlessly.
Featuring original music by Steve Moshier, including settings of several Dorothy Parker poems, "Surrender" was accompanied by the composer's formidable Liquid Skin Ensemble.
The cycle includes settings of three Shakespeare sonnets.
His vocal works included settings of Navajo songs and "The Lord Ascendant," based on "The Epic of Gilgamesh".
It included settings of poetry by Byron and Frank Scott alongside precisely wrought all-Cohen compositions, not least his reflections on the 9/11 attacks, On That Day.
Among these the most-admired include settings of Goethe's Erlkönig, the Scottish folk ballad "Edward," "Herr Oluf," "Archibald Douglas," and "Tom der Reimer".
It includes settings of passages from Borrimini's architectural treatise and the testament of despair he wrote in the hours following his attempt at suicide, as well as two sonnets, one anonymously attacking Borromini's work, the other by Leopardi.
