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You can feel it happening in works like the Met's Salome picture "The Apparition".
His daring chromatic harmonies can be heard in works like the C sharp minor Scherzo.
And yet you can see in works like "Untitled (Bald Woman With Skeleton)" (c.
And in works like "A Rose" (1959) and "The Giant Salamander" (1961), Smith surely fits seamlessly.
In works like this Mr. Martins seems content to reduce his dancers to stereotypes.
Her eloquent use of etching is seen in works like "Woman With Dead Child" (1903).
In works like this Mr. Slatkin reveals exuberance as well as musical taste.
In works like these you sense a concern about modern progress eroding traditional spiritual values.
Here, in works like "Swimming, Smoking, Crying" and "Shaking, Cooking, Peeing," Ms. Schutz's protagonists multitask to ruinous effect.
Liszt boldly experimented with tonality in works like his "Bagatelle sans tonalité," given a dexterous interpretation here.
Plausibility is key in works like this, and James de Mille goes to ingenious lengths to maintain it.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com