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Some safety design measures aided by the sensitivity indices are also discussed in these two examples.
We would understand the term in different ways if asked, for example, "Can Britain have a Constitution?" or "Can Germany have a Constitution?" In these two examples we would stress different parts of the question, bearing in mind the different histories and legal traditions of the two states.
Whew! There's a lot here in these two examples, and I hope that they point to the power of corpus analysis with music21, but we still have quite a lot to sort through, so we might as well continue by understanding how music21 sorts objects in Chapter 21: : Ordering and Sorting of Stream Elements.
In these two examples, our algorithm is also obviously advantageous.
In these two examples, Hausdorffness of is assumed since they used the partition of unity argument.
In these two examples, the algorithm must cope with noise and weak edges.
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Most business owners fall somewhere in between these two examples.
We come back to these two examples in Example C.3.
The hook here is the question of "What do all of these characters that are clearly very different, some in extreme cases, have in common?" Yes, these two examples are character introductions, but notice that they are showcased in just a few short pages/minutes while raising questions of Who, What, How, and Why?
In a way, these two examples highlight some of the deficiencies of the traditional box score because one would assume that those players had to be doing something measurable on the court given that much playing time.
In contrast to these two examples, the Anthem/CIGNA transaction announced a mere three weeks following the ACE/Chubb transaction but still pending started on a hostile footing and at every point thereafter has remained a cautionary tale to potential dealmakers.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com