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It also has some serious things to say about consumer culture and our messy relationship with nature: in one work, logos on an ice-cream board dominate a seafront sunset.
For example, in the early morning (using a similar process to plastering the bark with leaves), Mr. Goldsworthy covers rocks with leaves of a uniform color -- red in one work, green in another -- leaving uncovered a round depression on top of the rocks.
In one work, a ring of bollards suggests a magic circle.
In one work, Nauman is playing with pencils in his studio.
She reaches a modicum of success in one work titled "Three Pears in a Silver Bowl".
In one work they refused to expose themselves to stage lighting.
In one work, from 2004, gold paint sprayed onto copper engulfs a sketchy apparition of a woman playing a flute.
In one work, a schooner awaits a pilot to take it out to sea; in another, a ship rolls in the raging sea.
Mr. Byrd can be creatively unpredictable, capable of near-balletic abstraction in one work and wild comedy or sharp social commentary in another.
Art historical references emerge; a Baldessari nose, Joseph Beuys's famous hat, a Dali moustache and Warhol's Banana levitate like a joke shop kit in one work.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com