Sentence examples for in musique from inspiring English sources

Vexations is one of his experiments in musique d'ameublement or furniture music, a prophetic precursor to Brian Eno's ambience, designed to provide an almost elemental background noise.

Outside of hip-hop, the manipulation of turntables has also featured prominently in musique concrete, where work by John Cage and Christian Marclay actually predates hip-hop turntablism.

A key work in musique concrete - where industrial and traffic noises, natural sounds and voices were tape-recorded and then altered by re-recording them backwards at different speeds and with different effects - this is, in essence, fantastically odd electronic experimentalism, which, in 1968, was a hell of more difficult to realise than it is now.

Whether or not producers were aware of Pierre Schaeffer's late-1940's work with noises on bits of tape, multitrack recording and ever-improving studio equipment made every song a potential exercise in musique concrete, turning recorded sound into something never heard in real time.

By disabling the erase head of a tape recorder and then spooling a continuous loop of tape through the machine while recording, the tape would constantly overdub itself, creating a saturation effect, a technique also used in musique concrète.

He cited the long history of the tape recorder being used as an instrument in musique concrète as an example of already established practices of quotation in music culture that didn't raise any copyright red flags.

A clue to what Mr. Godard wants Olga's sacrifice to mean comes early in "Notre Musique" when the conferees first pass through Sarajevo.

#TheStandingMarch Website ThestandingMarch.com (link in bio) Musique by 3D from Massive Attack.

Afterwards, between 1950 and 1960, Schaeffer and Henry worked alongside each other towards their critical release, which would figure prominently in the musique concrète manifesto.

Shortly after her baptism by fire, she took a backpacking excursion through Europe and wound up doing some impromptu street performances during Fete de la Musique in Paris and then in various other cities across Europe while hanging out with the juggling community.

In 1918 he founded the École Normale de Musique in Paris, where his piano classes had a wide influence.