Sentence examples for in many adaptations from inspiring English sources

The Three Musketeers is another film that throws in everything it can, devoting much of its time to the zeppelins, flame-throwers, and booby-trapped Venetian vaults which are overlooked in many adaptations of Dumas' novel, and devoting the rest to shots of Milla Jovovich – the director's wife – posing in a variety of corsets.

Calcium is a key factor in many adaptations and developmental processes in plants, and calcium signalling is crucial for the development of plant defences against abiotic and biotic stimuli.

And no one should want to do since the UK wide celebrations give everyone to chance to revisit the stories of the plays in their traditional form and also in the many adaptations of them in other media.

Although the M9 adaptations were done mostly in chemostats and thus for longer than we typically adapt by strict serial transfer, there is no precedent for this much molecular evolution in the many adaptations we have done previously in broth, some of which also used a chemostat.

In this overheated summer, the Bethesda and Maine Monument fountains have thus joined the flow of fountains around the city, a remarkable if sometimes hidden array of sculpture combined with water in its many adaptations.

The same trick has kept popping up ever since in the many adaptations of the novels and a range of other movies, TV shows and books, including the Tintin tale Prisoners of the Sun.

His Elegantiae was printed many times, either in the original or in one of its many adaptations and abridgments made by later scholars.

Overhauling an entire job role to suit the whims of an employee could quite easily be construed as favoritism by others while making too many adaptations in one area of an organisation can result in the role becoming misaligned with organisational objectives.

The alteration, completed in 1962, was one of many adaptations of obsolete mansions in New York -- but with a difference.

Gould has always argued that his ene mies, and most of his colleagues, see too much design and too many adaptations in the world, and coopted from architecture the term "spandrel" to describe an undesigned feature which is a necessary consequence of one that is designed, but is then used as a base for further design.

We've seen many adaptations in the past, how does this compare?