Sentence examples for in composition that from inspiring English sources

However, small differences in composition that may affect biodiversity were retained and may last until midrotation harvest and subsequent treatment.

The composition of major biochemical fractions in fresh dwarf and tall leaves are statistically similar; however, there are trends in composition that are noteworthy.

In the case of miscible liquids it is desirable to produce mixtures with residual non-uniformity in composition that is below some specified level.

Therefore, the ion-induced enrichment (depletion) might be site specific (e.g., different for crests or valleys in ripples) leading, eventually, to a modulation in composition that can be in or out of phase with the (ripple) topography.

Sullivan told an interviewer, Arthur Lawrence, "I don't use the piano in composition – that would limit me terribly".

While it embodied the nature of chaos also reflected in his contemporaries' work, Tone's music, channeling the repetitive stabs of sound generated by damaged CDs, carried with it a rhythm in composition that inspired the processed sounds in several styles of minimal electronic dance music to follow.

His Surrealism leans toward Cubism, resulting in compositions that are lyrical and dynamic.

Such efforts focus on the past, however, while music-making itself plunges into the future, in compositions that feel like new worlds or in performances of such freshness that familiar works feel created anew.

Though landscape painting was still not a genre in its own right and was considered low in the art academy's rigid hierarchy of subject matter, background landscapes became increasingly detailed in compositions that emerged in Venice in the late 15th century.

His metal sculptures are cast from the same kinds of assemblages of ordinary things that he made in the 30s: chairs and stools, tree trunks and, in one case, something that looks very like a turd, have been cast in bronze in compositions that imitate faces, bodies and animals with raw, grotesque abandon.

In the three years from the day the trumpeter Booker Little took a job with Max Roach in 1958 to his death in 1961 at age 23, he showed that he was on to something invigorating: an extension of Clifford Brown's virtuosic modernism, in compositions that bristled with intelligence and originality.