Sentence examples for in classical form from inspiring English sources

Exact(2)

All this is captured, he said, in classical form and shape, and is often destroyed in the black glass and concrete of modernism.

end{aligned} (2 It is generally accepted that, analytical solutions of partial and ordinary differential equations are so important particularly in physics and engineering, whereas most of them do not have an exact solution and even a limited number of these equations, (e.g., in classical form), have implicit solutions.

Similar(58)

The term tanka is synonymous with the term waka, which more broadly denotes all traditional Japanese poetry in classical forms.

In the 1980's Mr. Theodorakis's interest in classical forms was rekindled, and although his works are rarely performed in New York he has been fairly prolific.

His four piano sonatas, Tragica (1893), Eroica (1895), Norse (1900), and Keltic (1901), are cited as ambitious attempts at programmatic music in classical forms.

In the decades after the "Rhapsody," the questions only intensified in the light of developments in both music and society: How had a popular tunesmith composed our best-known achievements in classical forms?

"We both work in classical forms, but trying, I think, to extend that and create and reinvent a little bit what's already been done so well," Mr. Wheeldon said in a recent interview backstage at the State Theater.

Despite the eventual triumph of the French vernacular, Latin poems continued to be written, and several hymns composed in classical forms were included in church services in the 17th and 18th centuries.

Later, although he never abandoned experimentation, he began composing in classical forms, e.g., the quintets for oboe and strings and for clarinet and strings, the Piano Concerto, and the Conversations for chamber orchestra.

The parallels that Rohmer finds with his own situation are clear: he himself was a modern artist working in classical forms, and thus was making art that represents an unexpressed idea but which, as a modern artist, he himself was entirely aware of.

The new works are by composers who write in an accessible style, rooted in Classical forms and an updated Romantic harmonic language, characteristics for which the interpretive styles of these players — Joseph Kalichstein, pianist; Jaime Laredo, violinist; and Sharon Robinson, cellist — are particularly well suited.

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